If you're walking down the right path and you're willing to keep walking, eventually you'll make progress View More
Willie Burns and DJ Overdose – Sonny and Ricardo Give Good Advice (Unknown To The Unknown)
A decade ago, even five years back, a record like this would probably have had the sneery and overly serious sections of the peanut gallery getting all preachy and whining about ‘ramifications’ and ‘responsibility’ and all sorts of shit which seems really important to the sort of slick and professional meedya sorts who want to make Our Thing Their Thing. Now, given the flood of high weirdness which is engulfing the world, and the way in which an ultra-orthdodox conservatism seems to have got it together with the genuinely, weaponized, bat-shit crazy, any tune that can lift a vocal snippet from (I’m assuming) Miami Vice and lash it to a proper old-school jack track like this ends the day sounding like a victory anthem.
Anyways, that’s kind of setting a high bar I guess, but the beauty of this is that the music comes up to snuff. The B-side, firstly, is packed with about a million locked grooves – something which seldom makes good on the promise but works pretty darn brilliantly here. Veering between squirts of acid and rumbling toms they’re light years away from the smear of hi-hat samples so beloved of the ‘I don’t DJ – I remix on the fly’ gang in their Hitler Youth haircuts. Almost worth the price of admission on their own so numerous and excellent are they.
The main attractions though are the two slammers on the A-side, dirty ripped-up throwbacks to the dingiest of club nights. Sonically they evoke the messy chaos of the sort of house music which remained resolutely under-the-radar during the genre’s original hey-day, taking the basic formula and swirling in a dose of gleeful nihilism to the mix, creating something which was the flip-side to the Second Summer of Love’s bright and shining accession. The first one up rolls straight in with that fecund ‘Take Drugs’ sample leading the way before unleashing the demonic toms which rule over everything. The unfolding darkness is held off with a belt of acidic bass and its chirpier top-ended buddy, lending the tune not only a demented smile, but a mean dose of slanted funk.
The following beat mix is exactly what you both expect and need. Shorn of the original’s acid accoutrements, it gets back to basics – or, to be precise, back to even more basic basics. It simply sinks it rhythmic fangs into your feet and shakes you around, letting the toms and rimshots take turns in banging your brains to mush.
It’s in this absolute disregard for anything beyond the simple, scuzzy nature of the tunes that the music finds it’s soul. The soundtrack to a crusty infested squat somewhere on the edge of the early nineties it may well be, but that’s just layers on the vibe. Tunes trying to hark back to a more honest, less slick time may well be ten a penny nowadays, but very few wear their hearts on their sleeves like this. Huge, filthy tunes that stick two fingers up to an increasingly homogenized scene. The antithesis. And the antidote. Turn it up on election day and make a point.